Cassandra Liuzzo
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  • PORTFOLIO
    • JUNKMAIL (2024)
    • SMOKESTACK SERIES (2021-2023)
    • ELSEWHERE RESIDENCY #115 (2023)
    • PIECED FABRIC WORKS
    • JESSE WHARTON GIRAFFE (2022)
    • FUNCTIONAL QUILTS
    • IT'S A SIGN (2022-2023)
    • COMMUNITY WEAVING PROJECT (2012, 2013, 2021)
    • COVID COLLAGE (2020)
    • WORKS ON PAPER
    • ARTBOMB (2015)
    • MOTHER BLUES (2014)
    • 100-for-100 (2015-2023)
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  • EVENTS/MEDIA

Junkmail

Picture
In“Junkmail,”a mixed-media wall installation, security envelopes are stitched with machine embroidered phrases pulled straight from the e-mail Junk folder. At face value, these phrases (e.g. “We have been trying to reach you. Your great steaks is waiting!”) are absurd and humorous, but their purpose is sinister: to steal data, money, and identity. In this work, spam becomes “found poetry,” and envelopes, displayed on the wall in a haphazard overlapping array, fill the viewer’s field of vision creating a sense of overwhelm much like an overflowing inbox.

In the age of “going paperless” to keep physical mail out of the landfill, security envelopes are rapidly becoming a piece of paper ephemera going the way of ticker tape and telegrams. When the digital world is stored on servers that run on fossil fuels, we must ask the question: how much energy is used to store and transport e-Junk?

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